Friday, 30 March 2012

Nicolas Jaar

He's only 22 years old, but Nicolas Jaar has already released some major tracks and also owns a record label, Clown & Sunset - all while attending school full-time. Clearly, the dude is brilliant. 



Tim Jonze, Music Editor at The Guardian, interviewed Nicolas Jaar about his philosophy on music and the spaces in which it is experienced. Here's an excerpt from the interview:

What do you think of the commercial dance music that's now big in America?
I'll be in a taxi in New York and the radio will be on and I'll just be dumbfounded by the fact it's all club music. I'm still surprised – I shouldn't be because it's been this way for a while, but I am. I think it's all tied to the fact that, if you go to a rock concert and you see a band play, you have a couple of beers, and then hang out for an hour and a half and then you leave. If you go see David Guetta or a DJ you're gonna go to a club, drink five drinks, then get drunk and buy even more and stay for seven hours. So in the end it's a better business.
Really? You think the sound has been shaped to sell drinks?
Absolutely. I think to a certain extent the main idea of the music industry, at least in America, is to push what sells and this crazy trance-pop music is not only selling but also helping the economy. In a way it's the epitomy of capitalism having reached its peak in music. Now all pop is trance and I've no idea where we can go from here because it feels like we're at a summit. It feels like it can't get any harder, it can't get any faster and it can't get any cheesier. But we'll see …
You once said that "everyone in a club is heartbroken". What did you mean by that?
It's equating loneliness with going out to a club. Most of the time, I want connection in a club, and I want people to forget their problems. These are the same things you want when you're heartbroken.
Read the full article here.

It's difficult to classify Jaar's musical genre, but some have described it as deep house/downtempo/ambient. Whatever it is, it's definitely addictive as hell. Take a listen:



 

Tuesday, 27 March 2012

Covetable wardrobe: Anna Dello Russo

"Reality for me is too tough. Fashion is an escape. Is my addiction! Is better than drugs."



 via lulufrost

Saturday, 24 March 2012

"Once we believe in ourselves..."

"Once we believe in ourselves, we can risk curiosity, wonder, spontaneous delight, or any experience that reveals the human spirit." 
- E. E. Cummings







Thursday, 22 March 2012

Optimism for a change

"Stop the pity. Unlock the potential."

The video "Call Me Hope" is the second installment of a campaign to change the way we in the Western world conceptualize humanitarian work. Mama Hope is the nonprofit organization behind the campaign. Since 2006, they have been dedicated to creating systemic change in the African communities where most of their work is focused (Kenya, Tanzania, Ghana and Uganda). Their ultimate goal is to develop sustainability through microfinance projects. 


Nyla Rodgers and Amy Vaninetti, Mama Hope's founder and operations director respectively, are dedicated to creating long-term solutions that empower all members of a community. In an interview with the Huffington Post, Rodgers explains their philosophy: "They own it, and they know it. These are not our projects. At end of day, if most of the villagers don't even know that Mama Hope was involved, then we're happy. We want to be like angel investors, not CEOs" (full interview here). I think this is a great strategy as it encourages active participation and group collaboration, which contribute to a stronger social fabric. Leadership qualities are nurtured and community members are given a sense of purpose.

Mama Hope is unique in that they approach the topic of international development and aid work from a different perspective - one that is entirely optimistic. Whereas other campaigns seek to elicit feelings of immense sympathy and guilt, Call Me Hope attempts to inspire social activism by pointing to the fact that, as human beings living on the same Earth, we are all connected. The campaign re-frames the issue by demonstrating that we are all members of a global village. Although certain boundaries may exist (racial, geographical, socio-economic, etc.) it's important for us in the West (who are relatively privileged) to recognize that these are arbitrary; at the end of the day, we share the same Earth and breathe the same air.